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Beowulf<-chapter 1<-contents<-position

     The story is told vividly, especially the description of fighting with the monsters. The following example is about the fight between Beowulf and Grendel.
                  “Down off the moorlands’ misting fells came
                   Grendel stalking; God’s brand was on him.
                   The spoiler meant to snatch away
                   From the high hall some of human race.
                   He came on under the clouds, clearly saw at last
                   The gold-hall of men, the mead-drinking place
                   Nailed with gold plates. That was not the first visit
                   He had paid to the hall of Hrothgar the dane:
                   He never before and never after
                   Harder luck nor hall-guards found.

                   Waling to the hall cane this warlike creature
                   Condemned to agony. The door gave way,
                   Toughened with iron, at the touch of those hands.
                   Rage-inflamed, wrechage-bent, he ripped open
                   The jaws of the hall, Hasterening on,
                   The foe then stepped onto the unstained floor,
                   Angrily advance: out of his eyes stood
                   An unlovely light likes that of fire.

     In this epic, narratives and comments are used to describe characters. The main character is complicated and readers can see all sides of it. This is a new phenomenon in Old English period. For example, Beowulf is a national hero with courage and honesty, ready to fight for his people. He is dignified and elegant, being familiar with the nobles and the rules of the court. But he is proud and wants to get fame and praise.
     The epic begins with a prologue and the following two parts tell three stories. This structure is quite common in early heroic epics. When describing the part-historical and part-legendary story, predicting and recalling are two common methods. Those about Ingeld, Freawaru and the wars between Sweden and the Geats are examples. The plot in the epic truly describes the tribal society and contains many feudal elements.
    The poem mixed pagan elements with Christian beliefs. On one hand, the story began with the pagan oral literature of Europe, so it has the pagan elements such as “Wyrd” (i.e.fate) the decisive power, bloody revenge and the praise, which also include Christian elements. Beowulf is described as the image like Christ who gave his life for saving people. “God” and “Lord” were described to help the good men and punish the evils. Some Biblical images were also used in the poem: the monster—Grendel’s mother is the child of evil Cain; the Dragon symbols Satan. Beowulf’s victory over them is a good example.
     The old Christian work such as “Genesis” influence Beowulf both in mind and the language style. When telling a story, a simple and straightforward style is often used in the epic. However, Beowulf was written in Old English, which was closely related to Old Low German. The language is poetic, it is wonderful, but it is also difficult to understand for so many words, complicated grammatical structures, and fixed expressions. This is quite common in Old English poems.
    The other feature is the use of metaphors, understatements and euphemism. The scop uses compound-words, which are used as indirect metaphors to beautify ordinary objects. These are known as “kennings”. For example, bird’s joy means wings, “whale’s acre”, “swan’s riding”, “whale-path” or “seal-bath” means the “sea”; “sky’s candle of heaven and jewel” refers to “the sun”; “wave-traveler” means a ship. “Glories wiedler” or “victory’s bestower” represents the “God”; “shield bearer” or “spear fighter” represents a soldier, etc. Examples of understatements are: “sword-play” for wars; “take away mead-benches” for victory. This feature is often regarded as characteristic of the English people and their language, and it may be slightly affected by ironical humor. An example of euphemism is “sleeping”, “leaving life’s feast”, “turning away from the courts of men” or “choosing God’s light” for “death”

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