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VII. English Essays of the age


Introduction
   The Age of reason ended with the death of Samuel Johnson. During the 18th century, neo-Classicism had its deepest imprint on the charge of the English language. Essayists like Joseph Addison, Jonathan Swift, and Samuel Johnson attempted to formalize English, to give a dignity and preciseness which the Latin language has. Johnson’s Dictionary was intended to purify and standardize English. But this Latinizing movement led to a negative effect: it put a temporary end to the spirit of variety and experimentation which had contributed much to making English more vivid and fresh. By the close of the 18th century essays in magazines were mainly weak imitations of those in the style of The Tatler and The Spectator. In 1802 the Edinburgh Review and then in1820 the London Magazine started a new style of journalism. Essays of the great variety and individual character flourished. These and many other magazines competed for quality. They paid the writers decently so they could make a living by publishing essays in the magazines. These magazines printed a great variety of the articles on various subjects. They had essays on important books, discussion of contemporary issues, as well as creative essays, criticism, poems and stories. Under these new conditions, the familiar essay became popular. The familiar essay was characterized by a more personal and intimate tone. The essayist was no longer afraid to talk about himself. He confessed his likes and dislikes, his opinions and the prejudices. He talked freely about his mistakes and the failings, about the plans for the future. Charles Lamb, William Hazilitt, and De Quincey, the three greatest essayists of the age, were famous practitioners of the form. They all lived in the Romantic age. Though poetry was the major medium for Romanticists, the Romantic spirit also affected the style of prose. The scholarly style of the Classicists was less favored. The subjects of their essays extended beyond the concerns of the leisure class. They covered more aspects of life. Ordinary clerks, chimneysweepers, opium smokers, even murderers were portrayed in the essays. Another interesting phenomenon is that these essays experimented with their own styles. The result was a notable variety of the achievements in the 19th century prose.

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