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Emily Bronte<-novels<-chapter 7<-contents<-position





4. Emily Brontë (1818-1848)
Life:

   Emily Brontë, a poet and novelist, is the younger sister of Charlotte Brontë. Just like Charlotte, she also spent her childhood in misery and her life experience was nearly the same with Charlotte. Yet she is much more passionate and rebellious than her sister. Some poems strongly voice her innermost feelings and thoughts. In 1847, her only yet valuable novel Wuthering Heights was published. Now she is remembered mainly as a novelist rather than a poet. In 1848, Emily died of consumption


Wuthering Heights
   This novel is a story of Heathcliff, a gipsy who is picked up and brought up by Mr.Earnshaw in Wuthering Heights. After Earnshaw dies, his son, Hindley who is the new master of Wuthering Heights, bullies and humiliates Heathcliff. Although he passionately loves Catherine, Hindley’s sister, he finds it impossible to marry her. Thus he leaves. Three years later he returns with large fortune, only to find Catherine has already married Edgar Linton. Heathcliff’s intent love for Catherine only causes her death in grief. Then Heathcliff marries Edgar Linton’s sister Isabella in order to seek revenge. He controls Hindley and Hindley’s son Hareton tightly and treats them cruelly. Later he forces Lonton’s daughter Cathy to marry his sick son in order to hunt Lonton’s estate. After his son dies, Cathy and Hareton fall in love with each other. Heathcliff, becoming an old man, finds the fruitlessness of his revenge and dies. Cathy and Hareton are united happily.
    Love and revenge are the themes of this novel. The love between Heathcliff and Catherine is the fuse of conflicts and then causes a series of revenge actions by Heathcliff. This novel starts with love and ends with the failure of revenge. Heathcliff rebels against the bourgeois matrimonial system, as well as Catherine during her childhood. His love for Catherine is destroyed by the rigid social status. Their love is a rebellion to the conventional bourgeois society and involves struggles for freedom and happiness. During the process of revenge, Heathcliff turns himself from the oppressed to the oppressor. Though he has revenged his enemies, he does not gain what he truly wants and lives in missing and misery.
    Class hierarchy can be seen in the novel as well. The residents of Wuthering Heights seem to be of a lower class than the Lintons at Thrushcross Grange. Even though she loves him, Catherine will not marry Heathcliff after he has been degraded, but marries into the rich Linton family, which leads to all of the major conflicts in the novel. Compared to the residents in the Wuthering Heights, the Lintons are of a higher class both because they have more money, and because they are better educated.
   Catherine and Heathcliff are the two main characters in this novel. Catherine is beautiful and charming, but she is never as civilized as she pretends to be. In her heart she is always a wild girl playing on the moors with Heathcliff. She regards it as her right to be loved by all, and has an unruly temper. Heathcliff, of unknown descent, seems to represent wild and natural forces which often seem amoral and dangerous for society. His almost inhuman devotion to Catherine is the motive of his life, for which he revenges with vindictive hatred on all those who stand between him and his beloved. He is cruel but magnificent in his consistency, and the reader can never forget that at the heart of the grown man lies the abandoned, hungry child of the streets of Liverpool.
      In this novel, Emily resembles the Gothic romances of the latter part in the 18th century, such as the horrorable, mysterious and intense atmosphere on the wild, remote moorland and those supernatural events that last from the very beginning of the novel to the very end. In chapter three Lockwood is grabbed and pleaded to by Catherine's ghost through a window, and in the last chapter Ellen talks about people seeing the ghosts of Heathcliff and Catherine walking on the moors. The following part is just the horrorable scene that Mr. Lockwood facing Catherine’s ghost in Chapter three.
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